Sunday, 9 November 2014

From the Ramayana


1, 2. Beholding Sri Rama, standing
absorbed in thought on the battlefield,
exhausted by the fight, and Ravana
facing Him, duly prepared for an
encounter, and approaching Sri Rama,
the glorious sage Agastya, who had
come in the company of gods to
witness the encounter now spoke as
follows:
3, 4, 5. Rama, O mighty-armed Sri
Rama, hearken to the following
eternal secret, in the form of a holy,
eternal, immortal and supremely
blessed and excellent encomium,
entitled the Aditya Hridaya, the
blessing of all blessings, by means of
which, my child, You will conquer
once for all Your adversaries on the
battlefield, and which is calculated to
bring victory, root out all sins, allay
all anxiety and grief once for all and
prolong life.
6. Worship the Sun-God, the ruler of
the worlds, who is crowned with rays,
who appears at the horizon, who is
greeted by gods and demons, and
brings light.
7. Indeed, He is the embodiment of
all gods and full of glory and creates
and sustains the gods and the demons
as well as their worlds by His rays.
8, 9, 10. Indeed, He is the same as
Brahma as well as Vishnu, Lord Shiva,
Skanda, Prajapati, the mighty Indra,
Kubera, Kala, Yama, Soma, Varuna, the
Pitris, the Vasus, the Sadhyas, the
Ashwins, the Maruts, Manu, Vayu

Tuesday, 21 October 2014

Section I

Sri Ramakrishna at Dakshineswar

Chapter One

The Kali Temple and garden
Sri Ramakrishna at Dakshineswar Kali Temple
chandni
(porch) and the twelve Shiva temples brick
courtyard and the Vishnu temple Sri
Sri
Bhavatarini Mother Kali Nata
Mandir (the
concert room) the
store, the pantry, the guest
house and the place of sacrifice the
office
rooms Sri
Ramakrishna’s room Nahabat,
Bakultala and Panchavati Jhautala,
Beltala and
Kuthi ghat
for washing utensils, Gazitala, the
main gate and the back gate Hanspukur,
stable, cow house and flower garden the
verandah of Sri Ramakrishna’s room the
‘Abode of Joy.’
It is Sunday today. The bhaktas are free, so they
are coming in numbers to the Kali Temple in
Dakshineswar to see the Paramahansa Deva (Sri
Ramakrishna). The door is open to all. Thakur
freely talks with all the visitors. Sadhus,
paramahansas, Hindus, Christians, Brahmos,
Shaktas[1], Vaishnavas[2], men and women all
visit him. Blessed you are Rani Rasmani! It
is because of your virtuous merit that such a
beautiful temple has come up. Besides, there is
such a living image! People are able to come
here to meet and worship this great spiritual
personality.
The chandni (porch) and the twelve Shiva temples
The Kali Temple is situated about five miles
north of Calcutta. It is situated right upon the
bank of the Ganga. Landing from the boat and
climbing upon the broad staircase, one enters
the Kali Temple as one faces east. It is at this
very ghat that the Paramahansa Deva takes his
bath. Just after the staircase is the chandni.
Watchmen of the temple live there. Their cots,
mango wood chests and one or two jugs etc. are
lying about in that very chandni. When babus
(gentlemen) of the neighbourhood come here to
take their bath in the Ganga, some of them sit
here and gossip as they take a massage of oil.
The sadhus, fakirs, and Vaishnavas who come
to take prasad[3] from the guest house, some of
them await the bell of bhoga[4] in this very
chandni. At times a Bhairavi (woman
worshipper of the Mother) dressed in ochreclothes
and with a trident in her hand is seen
seated at this very place. She too would go to
the guest house at the right time. The chandni is
exactly in the middle of the twelve Shiva
temples out
of them six temples are exactly to
the north of the chandni, and six exactly to the
south. People passing by in boats and seeing the
twelve temples from a distance exclaim, ‘That is
the temple garden of Rani Rasmani.’
The brick courtyard and the Vishnu temple
There is a cemented brick courtyard to the east
of the chandni and the twelve temples. In the
middle of the courtyard, there are two temples
facing each other. To the north is the temple of
Radhakanta. Exactly to its south is the temple of
Mother Kali. In the Radhakanta Temple, the
idols of Radha and Krishna face west. One
enters the temple through a flight of steps. The
floor of the temple is paved with marble. In
front of the temple, there is a chandelier hanging
in the vestibule. It is not in use now; so it is
protected by red linen covers. A watchman
keeps a vigil. Canvas screens are provided, so
that the deities do not feel inconvenience by the
sun in the western sky during noon. Passages
left open between the rows of the columns of
the vestibules are covered by these screens.
Towards the southeast corner of the vestibule,
there is a pitcher of Ganga water. Near the
threshold of the door of the temple is a vessel
containing charanamrita[5]. Bhaktas come bow
down before the deities and take some drops of
this very charanamrita. Inside the temple are
the images of Radha and Krishna on a raised
seat. Sri Ramakrishna in the beginning was
appointed as the priest of this very temple in
1857-1858.

Friday, 17 October 2014

APHORISMS ON THE SACRED LAW OF THE HINDUS.



                   PRASNA I, PATALA 1, KHANDA 1.

1. Now, therefore, we will declare the acts productive of merit which form part of the customs of daily life, as they have been settled by the agreement (of those who know the law). 1
2. The authority (for these duties) is the agreement of those who know the law, 2
3. And (the authorities for the latter are) the Vedas alone.
4. (There are) four castes--Brâhmanas, Kshatriyas, Vaisyas, and Sûdras.
5. Amongst these, each preceding (caste) is superior by birth to the one following.
6. (For all these), excepting Sûdras and those who have committed bad actions, (are ordained) the initiation, the study of the Veda, and the kindling of 6
p. 2
the sacred fire; and (their) works are productive of rewards (in this world and the next).
7. To serve the other (three) castes (is ordained) for the Sûdra. 7
8. The higher the caste (which he serves) the greater is the merit.

Friday, 28 February 2014

Ayam Atma Brahma, Mahavakya

                      Ayam Atma Brahma, Mahavakya

 


By Tantra Siddha Maha Yogi Shastrishree Paramahamsa Dr.Rupnathji





Ayam Atma Brahman is a Mahavakya in Hinduism, depicting that Atman and Brahman are the same.
The concept of Ayam Atma Brahman is explained as Atman and Brahman being the same. A Mahavakya
in Hinduism, this saying portrays the idea that the individual self is one and the same with the absolute.
The concept Ayam Atma Brahman is explained with the wave and ocean. The waves and ocean is not
considered as separated entity, similarly Atma and Brahman is the same. The aspirant can clearly
understand this Mahavakya by taking up the example of the ocean and watching the vastness of the
ocean. If a big wave starts to come ashore, and one concentrates on one wave, he can intently notice
that the wave get absorbs in the crashing of the surf, and he can feel the salt spray. In that moment, the
person is only aware of the vastness of this one wave. The ocean itself is forgotten during that time. The
only idea then prevails is that the ocean and the wave is the same and the one.



Sloka: Yada yada hi dharmasya glanir bhavati bharata abhyutthanam adharmasya tadatmanam srjamy aham

SYNONYM: yada--whenever;yada--wherever;hi--certainly;dharmasya--of religion;glanih--discrepancies;bhavati--manifested, becomes;bharata--O descendant of Bharata;abhyutthanam--predominance;adharmasya--of irreligion;tada--at that time;atmanam--self;srjami--manifest;aham--I.

TRANSLATION: Whenever and wherever there is a decline in religious practice, O descendant of Bharata, and a predominant rise of irreligion--at that time I descend Myself.

Sunday, 2 February 2014

A True Religionist

A truly religious person should think that other religions also are paths leading to truth. We should always maintain an attitude of respect towards other religion... --------Sri Ramakrishna Paramhansa Dev

Wednesday, 29 January 2014

Hinduism is a type of religion which deals with all sorts of technolgies in a symbolic form. For example- movement of wheels of the chariot tells that the movement or rotation ends on the same place from where it starts is totally a symbolic one. In the view of science it is similar to sinusoidal wave which ends on the same axis where it starts and it repeats after definite time interval. Some more peculiar facts will be posted in my upcoming sessions.

Saturday, 25 January 2014

Till one becomes simple like a child, one cannot attain divine illumination. ------Sri Ramakrishna Dev

Sunday, 12 January 2014

Srimadbhagwat Gita-Chapter2 Sloka47

karmanye wadhikarostu maa falesu kadachana maa karma faleheturvurma tee sanga karma hostani-
Meaning for the Gita's sloka:

This Sloka states that the Individual self is the traveler in the chariot of the material body and the intelligence is the driver. Mind is the driving instrument and the senses are the horses. Thus, the self is the enjoyer or sufferer in the relationship of the mind and senses.
Meaning of the Bed Time Sloka:

Meaning: The literal meaning of the mantra is: "O God, kindly pardon my incorrect actions done consciously or unconsciously, either through my organs of action (hand, feet, and speech) or through my organs of perception (eyes, ears) or by my mind. I adore the God, who is the ocean of kindness".
Significance: By God's grace, we have completed one more day of our life. So, in order to thank god and to ask for his mercy, one can recite this Sloka. This bedtime Sloka is a prayer to God asking him to excuse our mistakes and maintain his mercy on us.

Saturday, 11 January 2014

Sarbadharmasammanay


1. Bed Time Sloka

Karacharana Krn Itam Vaakkaayajam Karmajam Vaa,

Shravananayanajam Vaa Maanasam Vaaparaadham,

Vihitamavihitam Vaa Sarvametatkshamasva,

Jaya Jaya Karunaabdhe Shriimahaadeva Shambho
 
 
2. Bhagavad Gita Slokas  
Cancalam Hi Manah Krsna Pramathi Balavaddrdham

Tasyaham Nigraham Manye Vayoriva Suduskaram